Archive for June, 2006


Jun
24
2006

Reasonable Doubt Video Tribute

I’m on my Youtube sh*t.

Jay-Z’s Reasonable Doubt concert slated for June 25th (exactly 10 years from the release date) reportedly sold out in 3 minutes. Well, here’s a slew of circa RD vids for those of us who’d rather get a toe massage than fork out thousands of dollars for ebay tickets.

Pre-Reasonable Doubt Videos:

Jay-Z – I Can’t Get with That (Doin’ the tongue-twist-iggidy thing)

The Originators – The Jaz (The dance at the end is the best part)

Original Flavor – Can I Get Open (Strictly for laughs)

Jaz – Hawaiian Sophie (Nas must have seen this like 200 times)



Reasonable Doubt Videos

Can’t Knock the Hustle ft. Mary J. Blige (Before Mary J features became a cliche)

Dead Presidents (Jay-Z and Cristal go Wayyy Back)

Feelin’ It (Yet another free ad for Cristal)

Ain’t No Nigga (You gotta do the “Dame Dash” this one)

Friend or Foe (Classic Premo sh*t)

Some Notable Post-Reasonable Doubt Videos

Friend or Foe ‘98 (starring Dame Dash as Jay-Z’s butler)

You Must Love Me (The Jay-Z we all love)

Hard Knock Life (The Jay-Z we all miss)

Bonus Cuts:

Jay-Z vs. DMX Freestyle Backstage (The real reason DMX fled from Def Jam)

BET Freestyle w Free & AJ (The diss that ended R.Kelly’s career…j/k)

Jay-Z and 50 Cent Reebok Commercial (Jigga just can’t resist the tendency to collaborate with potential rivals, can he?)

Jay-Z+Linkin Park – Numb-Core (Even though they tried to sell us the same sh*t twice, “Numb/Encore” was worth the time they wasted on the collabo. I hear you Kanye.)

Jay-Z – What More Can I Say/Fade to Black (If the Nets had this guy as their announcer, they might actually win a game or two.)

Tip: For maximum output, do not play all the videos at the same time

I know someone will have today’s RD concert footage somewhere on the internets even before the show gets started. So, holla at me with the update when it goes down like Yung Joc.


Jun
23
2006

Miami Heat Victory Parade Photos

I was rooting for Mavs but the Heat and their leggings-wearing star player deserve this championship.


Jun
23
2006

Foul Shot of the Day: Toni Braxton

Here’s one person who can actually sing, trying so hard to impress. Eh, we’re tired of your butt-showing tricks Ms. Braxton.


Jun
23
2006

Cuban Linx – 6-23-06

Bone Crusher joins Celebrity Fit Club
U.S. Authorities Stop 17-yr old Girl from Marrying her MySpace Friend
Kool and the Gang’s Co-founder Dead
U.S. Domestic Surveillance…Not Just Phone Calls, Bank Data Too
25 Worst Rap Lyrics
Movie Project Pulls Eminem out of Depression
Stolen Sidekick Issue Laid to Rest


Jun
22
2006

Hip-Hop Is Dead: Nas Goes all Nastradamus on Us Again

In the next couple of days, this Rolling Stone In the Studio article on Nas will become a blogosphere favorite. Decide for yourself if this is bs or bt (bitter truth).

Nas
Hip-Hop Is Dead
Due Out: September
Recorded in New York

“For his eighth studio album, Queensbridge MC Nas is taking it to the clubs. “I want it to be bangin’,” he says. “And if you want it bangin’, you call the dudes with the bangers.” In this case, the dudes are Timbaland, Pharrell, Scott Storch, Dr. Dre and hip hop’s newest “it” producer, Will.i.am of the Black Eyed Peas. “This one is gonna broaden my audience back up to where it needs to be,” says Nas. It doesn’t hurt that he’s got rap’s reigning king, Jay-Z, behind him; the former foes buried the hatchet and Hova signed Nas to Def Jam in January. Hard drums and crowd chants rull the Will.i.am-produced title track. On “War,” a song about the politics of warfare, Nas trades verses with Damian Marley. “It has the head nod and that rocka bump,” says Nas’ co-manager Mark Pitts, who also confirms that Nas has been in touch with Michael Jackson in hopes of recording with him. “It’s gonna show Nas’ potential to cross over from hip hop to pop,” says Pitts.” (RS#1003)


I call bullsh*t. Hell, this could even be Def Jam’s ploy to get us all amped up for a pop Nas album when he’s, in fact, attempting another stillmatic feat.


Jun
22
2006

Snoop Dogg Performs "Gin and Juice" with Taylor Hicks (Video)

(major props to Clyde)

Here’s a video of the Snoop “Gin and Juice” performance with Taylor Hicks I posted a few days ago.


Jun
22
2006

J Dilla – The Shining Tracklist

1. Geek Down (with Busta Rhymes)
2. E=Mc2 (with Common)
3. Love Jones
4. Love (with Pharoahe Monch)
5. Baby (with Guilty Simpson, Madlib
6. So Far to Go (with Common, D’Angelo
7. Jungle Love (with MED, Guilty Simpson)
8. Over The Breaks
9. Body Movin’ (with J. Rocc, Karriem Riggins)
10. Dime Piece (with Dwele)
11. Love Movin’ (with Black Thought)
12. Won’t Do

Jay Dee was able to complete over 90% of The Shining prior to his passing on 02-10-06. Karriem Riggins, a long time associate of Dilla, assisted with the final touches. Hopefully, this here isn’t yet another attempt to cash in. The Shining drops on August 22nd, 2006 on BBE.


Jun
21
2006

Hip-Hop Timeline Part 1: 1925 – 1975

They say you never know where you’re going until you know where you’re coming from. Here’s a rundown of what was happening in the hip-hop world while your parents were still in diapers.
I first wrote this for About.com but I’m going to make weekly (or monthly) installations here as well, with little alterations. Now, no one’s claiming this to be the hip-hop gospel. So, if you find that some notable events are missing from the timeline, feel free to point them out. Major props to Davey D for posting up the full version on his site. It took me an awful long time to compile.

Here we go:

Hip-Hop Timeline 1925 – 1975

1925: Earl Tucker (aka Snake Hips), a performer at the Cotton Club invents a dance style similar to today’s hip-hop dance moves including floats and slides. Similar moves would later inspire an element of hip-hop culture known as breakdancing.

1940: Tom the Great (Thomas Wong) uses a booming sound system to please the crowd. Wong also used American records to swindle music-lovers from local bands.

1950: The Soundclash contest between Coxsone Dodd’s “Downbeat” and Duke Reid’s “Trojan” gives birth to DJ Battling.

1956: Clive Campbell is born in Kingston, Jamaica. Campbell would later become the father of hip-hop.

1959: Parks Commissioner Robert Moses starts building an expressway in the Bronx. Consequently, middle class Germans, Irish, Italians, and Jewish neighborhoods disappear in no time. Businesses relocate away from the borough only to be replaced by impoverished black and Hispanic families. Along with these poor people came addiction, crime, gang-related activities, and unemployment.

1962: James Brown records Live At The Apollo. Brown’s drummer Clayton Fillyau popularizes a sound that is now known as the break beat. The break beat would later inspire the b-boy movement, as breakers danced to these beats at block parties.

1965: In a historic boxing bout, Muhammad Ali (born Cassius Clay) defeats Sonny Liston in the 6th round. Before the bout, however, Ali recited one of the earliest known rhymes:

Clay comes out to meet Liston
And Liston starts to retreat
If Liston goes back any further
He’ll end up in a ringside seat.
Clay swings with a left,
Clay swings with a right,
Look at young Cassius
Carry the fight.
Liston keeps backing
But there’s not enough room
It’s a matter of time…

1967: Clive Campbell migrates to the United States at the age of 11. He would later become a graff writer and change his name to Clyde As Kool. Because of his size, kids at Alfred E. Smith High School nicknamed him Hercules. He didn’t like the name so he decided to go with the shortened form, Herc. Herc later became Kool Herc, a renowned hip-hop DJ that would help inspire a global culture.

1968: A gang named Savage Seven would hit the streets of the East Bronx. Savage Seven later transforms into Black Spades, before eventually becoming an organization known as Zulu Nation.

1969: James Brown records two songs that would further influence the drum programming in today’s rap – “Sex Machines” with John Starks playing the drums and “Funky Drummer” with Clyde Stubblefield on the drums.

1970: DJ U-Roy invades Jamaican pop chart with three top ten songs using a style referred to as toasting. The Last Poets release their self-titled debut album on Douglas Records combining jazz instrumentations with heartfelt spoken word. (The Last Poets were featured on Common’s 2005 rap anthem, “The Corner”).

1971: Aretha Franklin records a well-known b-boy song “Rock Steady.” The Rock Steady Crew would go on to rule in the world of break-dancing, with members all across the globe.

1972: The Black Messengers (a group that staged performances for The Black Panthers and rallies relating to the black power movement) feature on The Gong Show.
However, they are only allowed to perform under the alias “Mechanical Devices,” because of their controversial name.

1973: DJ Kool Herc throws his first block party at 1520 Sedgwick Avenue, Bronx, NY. Herc would often buy two copies of a record and stretch the break parts by using two turntables and mixing in both records before the break ends. The Zulu Nation is officially formed by a student of Stevenson High school named Kahyan Asim (aka Afrika Bambaataa).

1974: After seeing Kool Herc perform at block parties, Grandmaster Caz, Grandmaster Flash, and Afrika Bambaataa start playing at parties all over the Bronx neighborhoods. Around this time, DJ/MC/Crowd Pleaser Lovebug Starski starts referring to this culture as “hip-hop.”

1975: [Herc is hired as a DJ at the Hevalo Club. He later gets Coke La Rock to spit crowd pleaser rhymes at parties (e.g.“DJ Henry is in the house and he’ll turn it out without a doubt”). Coke La Rock and Clark Kent form the first emcee team known as Kool Herc & The Herculoids. DJ Grand Wizard Theodore invents ‘the scratch’ by accident. Legend has it that while trying to hold a spinning record in place in order to listen to his mom, Grand Wizard accidentally caused the record to produce the “shigi-shigi” sound that is now known as the scratch.

Part 2 next week…


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